“Making Space.” Voices: Equity, diversity, and inclusion in Canada. Waterloo: Canadian Clay & Glass Gallery, September 2022.
“Grading Light.” Curatorial Essay. Waterloo: Canadian Clay & Glass Gallery, May 2022.
“Within/Without: Community Arts and COVID-19.” CONFINED. Waterloo: Canadian Clay & Glass Gallery, January 2022.
“Erosion as a Process: Hannan Fayad.” Curatorial Essay. Waterloo: Canadian Clay & Glass Gallery, January 2022.
“Capacity for Wonder: Meghan Sims.” Curatorial Essay. Waterloo: Canadian Clay & Glass Gallery, October 15, 2021.
“Amongst the Rocks and Canyons: Carol Rossman’s American Southwest-Inspired Raku Wares.” Ornamentum 39, no. 1-2, May 20, 2021.
“The Vistas that Unfold before us.” Nature Inspired. Waterloo: Canadian Clay & Glass Gallery, February 2021.
“Marooned: Morgan Kamocki Allaby.” Curatorial Essay. Waterloo: Canadian Clay & Glass Gallery, January 2021.
“swim with me: Marissa Alexander.” Curatorial Essay. Waterloo: Canadian Clay & Glass Gallery, September 2020.
“How, What, and Why they Acquire.” On Collecting Clay and Glass. Waterloo: Canadian Clay and Glass Gallery, January 11, 2020.
“Mastering the Unpredictable: Carol Rossman’s American Southwest-Inspired Raku Wares.” Canadian Clay & Glass Gallery, January 2020.
The Aesthetics of Collective Identity and Activism in Toronto’s Queer and HIV/AIDS Community. Master’s Thesis. University of Guelph, April 2019.
“Curatorial Liberties: Cinema and Augmented Reality in Betwixt and Between: An Untold Tom Thomson Story.” Comparative Media Arts Journal Issue 5 (December 2018).
“Thriving Spectrum: 60 Years of Juried Exhibitions in Oxford County.” Woodstock Art Gallery, July 2018.
Peter M. Flannery 